BAD ROMANCE IN THE DAILY MAIL

This may shock you, but I am in my mid-30s and am perfectly happy to be single.

And I refuse to whip myself up into a frenzy of hand-wringing just because I never seem to have a boyfriend, never mind a husband.

It’s true that, if I judged my whole life according to my search for love, I could make myself miserable. But just because I have so far failed to find Mr Right does not in any way make me a failure as a human being.

My 80-year-old grandmother is appalled by my attitude, and thinks I ought to be taking drastic steps towards settling down.

But I shouldn’t be valued solely for my ability to attract a man — I’m a successful journalist, a good friend and sister — and I’m not going to conform to some ‘desperate’ vision of how a single woman should behave.

Frankly, such stereotypes no longer match the reality. Single women are no longer outcasts, or even unusual; in Britain today, there are more of us than at any point in history, more and more of us in our 30s, 40s and beyond.

If you’re aged between 25 and 44, you’re also five times more likely to be living alone than you were back in 1973.

And yet the way we talk about single women has been slow to catch up.

The most familiar ‘singleton’ in fiction, for example, is still the hapless Bridget Jones — a character more than 20 years out of date, who popped up married and with a baby in the latest celluloid instalment of her story.

Read more: http://www.dailymail.co.uk/femail/article-5605213/The-rise-alpha-singles.html#ixzz5EtjN7mTF

THE AMORIST: No Tinder, please, we’re British!

01_Cover1AA_oct2017.inddI force myself to go on dates because that is what I must do if I want to find love in the 21st century. Or so society insists. And so I’ve spent countless evenings staring at men I’d like perfectly well – if they were my dentist – trying to stave off the realisation that I’d have spent a more thrilling evening at home, flossing and spitting blood down the sink. My single girlfriends and I know – from experience – to expect nothing better. But for those not used to the dating game – with no idea how to distinguish a potential bore from an actual psychopath – it can prove a terrible shock.

Take Ruth E. Valentine, whose 100 dates over a five year period were so traumatic she wrote an entire book about them. Her first date seemed perfectly wonderful – until he pulled up his suit trousers to reveal fishnet stockings. The second chap turned out to be married. The next revealed that his dead brother was sitting next to him in an empty chair. ‘Another guy I dated for three months,’ she continues. ‘Everything seemed perfect until he announced he had a court case coming up and might be going to prison for 12 years.  Last I heard he got locked up and put on the sex offenders list.’ One does not have to get anywhere near the end of ‘The Life & Times of an Online Dater’ to conclude that it was all downhill from there.

This month marks two years since Vanity Fair declared the Dating Apocalypse had hit the States, thanks to the dating app Tinder. But no one thought to tell poor Ruth whose dating life only continued to degenerate until she gave up last week. In 2017, her case is not unusual. All we ladies (who remain single past the age that Jesus died) privately trade grimmer and more gruesome stories because dating apps have done to love and romance what the machines did to humanity – in the Doomsday scenario from Terminator II. Tough young millennials, who grew up after civilisation ended, do claim to feel liberated by a situation in which boring old human ‘emotion’ has been replaced by animalistic rutting. But for those of us who want to get married and – heaven help us – breed, the situation is petrifying.

My friends and I, our biological clocks a-ticking, ought to be stepping up our efforts: pasting on Dior war paint, arming ourselves with the latest in killer heels, downing cocktails for courage. Instead, we hug each other in foxholes, reassuring one another that it is A-OK to still be nursing wounds from the last time we ‘put ourselves out there’. In the age of Tinder, a typical first message is: ‘Hey. To be honest unless we’re having sex on the first night I’m not really interested… Let me know. x’ Followed by an entirely unsolicited dick pic. This is not what we want. And it is not what we need. It’s time we rose up and declared, en masse: ‘No Tinder, please, we’re British.’

As Beth McLoughlin, a 40-year-old editor complains: ‘When I was younger this thing called ‘dating’ didn’t exist here. Why is it necessary? If we could just abolish it, we could go back to just connecting people naturally with people we liked.’ Ideally, we’d revert to the antiquated system of ‘rounds in the pub,’ whereby Brits who previously had no idea they even fancied each other, staggered home one night only to wake up five years later married with three adorable children. First, we fell in like, then we fell in laugh; and – bam – we fell in love.

Back in the Nineties, this idiosyncratic approach was still de facto and Bridget Jones was our heroine. She now reappears on our screens every Bank Holiday to remind us of when Britain did things best and jumped out of planes wearing Union Jack parachutes just to prove it – much like James Bond. Carrie Bradshaw may have dated her way across Manhattan with a handbag stuffed full of ‘ultra-textured Trojans with a reservoir tip’ but our Bridget trusted to the contraceptive qualities of her giant knickers. She made love.

Dating belongs in America, where it sprang into being alongside out-of-control capitalism and Coca-Cola. The term ‘date’ was first used in 1896 in a column written about ‘working class lives’ in which a young man, whose girlfriend was growing tired of him, lamented ‘I s’pose the other boy’s fillin’ all my dates.’ The convention of a man paying arose because women were paid half what a man would get for working the same job. So, if a girl wanted to go out for dinner her ‘date’ would have to pay for it.

Dating is an industry that has been inextricably linked to time pressure ever since. According to Moira Wiegel, who last year published Labor of Love: the Invention of Dating our mating habits still reflect the labour market. So whereas in the era of ‘old fashioned 9-to-5s it made sense to ask someone, “So, I’ll pick you up at six?” She explains. ‘Now, in an era of flexitime and freelancing we might be more likely to text a lover “u up?”’

Tinder is the very embodiment of the free market when it comes to sex. As Vanity Fair’s Nancy Jo Sales put it, ‘online, the act of choosing consumer brands and sex partners has become interchangeable.’ It is easier for a man to get laid than at any point in history – but the quality of sex is suffering for us women. According to the Kinsey Institute, women are twice as likely to have orgasms in the context of a relationship. But since ‘relationships’ have been replaced by a never-ending regimen of dates, young girls kept asking Sales ‘what’s a real orgasm like? I wouldn’t know.’

Some new phone apps – such as Bumble – claim to liberate women from all this Tinder bullshit. But in effect it just deludes us into thinking we have some control over the product, when we don’t. On Bumble, a woman has to message a man first and within 24 hours, after which he’ll disappear forever (like a bargain resisted in the January sales).  But it’s the men who benefit. My best male friend has used it to juggle eight different women simultaneously. And he’s ginger.

Using apps to find love doesn’t even make sense. Tinder has a vested interest in keeping us single. Otherwise, it’ll disappear like MySpace, Bebo and Friends Reunited. Even those with positive experiences of the app see it as an extension of their working life – just one more thing to achieve. ‘Dating’ is ‘a numbers game’. You ‘only get out what you put in.’ What most scares me is the prospect that – even if I do, against all odds, couple up, I’ll still have to go on ‘date nights’. A fitting British response to the whole concept is as Nicholas Lezard puts it: ‘Let’s split up. It’s more dignified.’

For as Ruth E. Valentine eventually concluded, there is nothing more dismal and depressing than dating. ‘Every time I thought I had met a nice guy they were all either married, liars, cheats, psychos, mentally deranged, abusers, transvestites, criminals, druggies, alcoholics or mummy’s boys.’ Ultimately, dates are about one thing: sex. So it’s time to say: down with dates! Leave them to the Americans. Somehow, we have to bring back old fashioned British confusion and abashment. For even in the 21st century, there’s still no more beautiful way – to fall in love.  

Emily Hill is the author of Bad Romance, which will be published on Valentine’s Day, 2018.

The Spectator: The Importance of Being Trolled

TwitterEver since a Twitter troll was elected 45th President of the United States, the Twitterati has agonised over who to blame. But since it was Twitter that gave American voters unfettered access to Donald Trump’s brain, they really ought to be blaming Twitter itself. It’s not possible to say anything balanced or nuanced in 140 characters — that’s a format for jokes, insults and outrage. If you want to seize the world’s attention today, you must troll or be trolled on Twitter.

And since this is the one skill at which Trump is utterly unrivalled, he’s now busy trolling both America and himself. When a man with barely any followers once tweeted him in the middle of the night to say: ‘I firmly believe that @realDonaldTrump is the most superior troll on the whole of Twitter’, Trump retweeted it to his millions of followers: ‘A great compliment!’

In 2017, our ability to write books, act in films or even govern appears to be measured in Twitter followers, not talent. So there will be no stopping Trump or his disciples here in the UK, Katie Hopkins and Piers Morgan. Were it not for Twitter, Hopkins would be a failed Apprentice candidate, not a highly paid commentator for Mail Online. Morgan would be a disgraced former newspaper editor, not a television host engaging in Twitter spats with J.K. Rowling. Unless Twitter ends, there will be no end to them.

At its worst, trolling is utterly repugnant, a sickening spectacle, and no one gets anything out of it. This was the case last year when Leslie Jones, star of an all-female remake of Ghostbusters, was hounded off Twitter after the alt-right tweeted racist abuse at her. It was also the case in 2013, when a PR consultant named Justine Sacco was hounded off Twitter by anti-racists after she tweeted: ‘Going to Africa. Hope I don’t get AIDS. Just kidding. I’m white!’ But whereas the forces of good Twitter, quite rightly, felt bad for and fell in love with Leslie Jones, almost no one sympathised with Sacco; they thought she’d revealed herself to be a racist — and therefore a vicious troll.

No one ever points out that the difference between a troll and a troll victim is as complex as that between a terrorist and a freedom fighter. Nor that being trolled can have unbelievably positive results for your career. The pop star James Blunt, for instance, has reinvigorated his fanbase as a result of retweeting all the abuse he gets on Twitter. He has been hailed (in a Buzzfeed article viewed almost a million times) as ‘the trolliest troll of all Twitter trolls’ and millennials love him for it.

Blunt must relish getting trolled — and so do many journalists, though they’d never admit it. I once sat in a restaurant with someone who’d written a perfectly innocuous article for Grazia magazine and became positively giddy when her bleeping BlackBerry showed she was being trolled as ‘a feminazi’ by hordes of maladjusted losers on Twitter.

As Jamie Bartlett explains, ‘Being trolled by strangers on the net gives you the chance to show how hard things are for you, how right you were, and how noble and magnanimous you are in sharing your suffering with the world.’ In his book The Dark Net, he notes, ‘It is very rarely mentioned that the victims of trolls are far more often privileged, wealthy, happy, and successful than their perceived oppressors, who are often frustrated, jealous, and lonely.’

Bartlett’s theory is neatly encapsulated by the example of Owen Jones, who announced this month that he was ‘taking a break’ from Twitter because he couldn’t stand the abuse he gets. Owen is the author of two best-selling books, Chavs and The Establishment, and has amassed half a million followers. But he didn’t just close his account and shut up shop. He posted a sanctimonious, self-pitying 1,000-word status update on Facebook that attracted 10,000 ‘likes’, 2,400 comments and 1,000 shares. And three days later he was back tweeting out articles and videos. He got a lot of attention, bolstered his media profile and further maximised his earning potential. Meanwhile, all those who ‘trolled’ him remain as poor and ignored as they ever were — and vilified to boot.

The term ‘troll’ is not borrowed from fairytales — it refers to a method of fishing. It is, in the words of internet expert Derek Powazek, ‘a behaviour online where someone would leave a lot of lures to snare people, to entice them to get angry’. If you are not famous, you might feel that you’ve been trolled for years before Twitter was even invented by highly paid opinion-formers and pundits whose views you don’t agree with but have had to listen to on programmes such as Question Time.

Before Twitter, you’d shout impotently at them on the television when they said something you didn’t like. Now, you can tweet your rage straight at them online and — if they read all their tweets — they’ll hear you. But one must never, but ever, make such excuses for a troll. So one must not point out, for example, that Owen Jones has made a lot of money claiming to be the ‘voice’ of the ‘disenfranchised’ and now doesn’t like it when the ‘disenfranchised’ find they have their own voice, thank you very much — and use it to swear at him.

The same goes for fashionable Twitter feminists who have won fame claiming to speak for anyone who has a vagina. I’ve lost count of the number of women who tell me (privately and in the strictest confidence) that they’re sick to the back teeth of being told ‘How to be a Woman’ by Caitlin Moran. One says she particularly hates Moran’s claim ‘I now live in Crouch End and my walls are painted in fucking Farrow and Ball and I have a cleaner but I will feel working-class to the day I die.’ She wants to respond, ‘Your cleaner has a name, she’s not a pot of paint and you’re not fucking working-class, are you?’ But if she tweeted that at Moran, this would constitute abuse, which is what ‘trolling’ has come to mean.

It is acceptable to be almost anything in the 21st century except a Twitter troll — for there is no person more despicable and deserving of punishment, especially when tweeting rape and death threats. I have been threatened with rape in real life, so I do know how unbelievably ill-making it is. But at the time I was alone with a drunk man in central Moscow who could have done it if he’d wanted to — it wasn’t a threat tweeted at me over the internet. And since he didn’t do it, he would not have deserved to go to jail for saying he would.

Yet when two Twitter trolls sent drunken threats of rape and worse via Twitter to Caroline Criado-Perez, who campaigned to put Jane Austen on the £10 note, and were sent to prison, Criado-Perez hailed it as a ‘brilliant day for women’. No one questioned how one privileged middle-class woman with 37,500 Twitter followers (currently represented by the Wylie Agency for a book about the ‘gender data gap’) sending two of life’s losers (one of whom was a 23-year-old woman) to jail for writing offensive words represented some sort of victory for women.

Feminism used to be a battle for equality. But now, if you were to listen to Criado-Perez and co., you’d think it was the fight for special victim status. Several prominent Labour MPs have launched a campaign to ‘Reclaim the Internet’. And yet since a Demos Twitter survey last year found that half of the misogynistic language came from women, this is really just a movement for women of high status seeking to silence women of lower status who want to send crude tweets at them.

We should be defending freedom of speech, saying: ‘I disapprove of what you tweet but I’ll defend to the death your right to tweet it.’ But this is not the ‘correct’ narrative. We are supposed to cheer en masse, instead, for Jack Monroe, who won £24,000 in libel damages from Katie Hopkins after malicious tweets upset her. Monroe didn’t prosecute on her own account, though — she did for the rest of us, saying, ‘I hope it teaches people to be a bit nicer to each other.’

What it’s taught me is the only way I’ll ever get anywhere in this life is if I get mercilessly trolled on Twitter. All I need to make it, à la Monroe, are enough hate-filled tweets to fill ‘six A4 ring-binders’. And as long as I’m not raped or killed in real life I’ll be laughing. Overnight I’ll go from a penniless hackette no one has rightly heard of to the reincarnation of Joan of Arc with 98,000 followers. If no one else has quite grasped the miraculous power of being trolled, Monroe seems to understand precisely what it’s done for her. Thanks to her Twitter fanbase she managed to crowdfund a cookbook in a single day. Now her Twitter bio reads not ‘cookbook author’ or ‘campaigner’, but ‘Ask not for whom the bell trolls; It trolls for me’.

As long as Twitter continues to dominate western society, and all our worth is summed up by the number of Twitter followers we have, the election of Donald Trump will simply be the ultimate symbol of a simple truth: that the only surefire way to triumph is to embrace the joy of trolling.

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